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Joseph Mallord William Turner

From Spenser's Fairy Queen, plate 36 from Liber Studiorum

published June 1811
Mezzotint and etching in brown on ivory wove paper
18.2 × 26.4 cm (7.2 × 10.4 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies) . Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.

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