Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer’s engraving Adam and Eve exhibits the extraordinary detail and tonal range of which he was capable. The print’s meticulously described landscape and its symbolism are derived from late medieval art, while Dürer’s fascination with the canons of classical proportion and anatomy (Adam is posed like the Apollo Belvedere, while Eve recalls classical statues of Venus) comes from his study of Italian Renaissance art.
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Albrecht Dürer (German, 1471–1528) — Adam and Eve
Albrecht Dürer (German, 1471–1528) — Adam and Eve
Jan (Johannes) Wierix|Albrecht Dürer — Adam and Eve
Jan (Johannes) Wierix|Albrecht Dürer — Adam and Eve (copy)
Robert Boissard (French, 1570–after 1603) — Adam and Eve
Hendrick Goltzius|Bartholomeus Spranger — Adam and Eve
Lucas van Leyden — Fall of Man
Hans Burgkmair (German, 1473–1531) — The Fall of Adam and Ev
Hendrick Goltzius — The Fall of Man
Lucas van Leyden — Sin of Adam and Eve
Jan Saenredam — Adam and Eve before the Tree of Knowledge, f
Lucas van Leyden — Fall of Man