Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Here, a person steps out to the engawa , a wood-floored corridor that runs along the outer edge of a house, to greet a visitor as the individual’s companions look on. A strong breeze blows the sleeves of their robes and the translucent blinds enclosing their sitting room. The group’s wealth and high status is signified by the two swords the visitor carries and everyone’s intricately patterned garments. A raised blind lets the viewer peek in to see a black lacquer box decorated with designs in gold powder and a ceramic incense burner on a hexagonal lacquer tray positioned carefully in the room’s display alcove, or toko .
Be the first to share your thoughts.
Sign in to join the discussion.
Chōbunsai Eishi (Japanese, 1756–1829) — The Matsukaze Chapte
Hasegawa Yasumasa (Japanese) — Playing the "Hand Game"
Utagawa Toyokuni (Japanese, 1769–1825) — Courtesans of the Ō
Chōbunsai Eishi
Hishikawa Moronobu (Japanese, c. 1618–1694) — Spring Dance S
Kitao Shigemasa — Courtesans of Oebuji, from the book "Mirro
Kitagawa Utamaro (Japanese, c. 1754–1806) — Musashi, Omi, Ya
Kitagawa Utamaro (Japanese, c. 1754–1806) — Women Hanging La
Suzuki Harunobu (Japanese, 1724–1770) — Drinking a Cup of Wi
Katsukawa Shunsho — Courtesans of the Matsuneya, from the bo
Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Okumura Masanobu