Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In these prints, two courtesans of the Ōgiya brothel are entering an open pavilion, while another group gathers around a Japanese hibachi inside. Hanaōgi, the most celebrated courtesan of Ōgiya in the late 1700s, is depicted at a desk. Holding a brush in her hand, she turns her head to one side as if gathering her thoughts before writing in the book before her. Both her position and her loosened hair separate Hanaōgi from her courtesan companions who wear elaborate coiffures. This depiction of her captures both her knowledge of poetry and her skill as a calligrapher.
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Courtesans Promenading on the Nakanochō
Courtesans of the Ōgiya on a Spring Outing
Cherry Blossoms in the Wind
Courtesans Promenading on the Nakanochō
Courtesans Promenading on the Nakanochō
Memorial Portrait of Sawamura Sojuro III as Satsuma Gengobei
Iwai Kiyotaro (Edoya) as Okaru (from the series Pictures of
The Shika Teahouse
Torii Kiyonaga — Entertainers of Nakazu, from the series "A
Chōbunsai Eishi (Japanese, 1756–1829) — The Matsukaze Chapte
Katsukawa Shunsho — Courtesans of the Matsuneya, from the bo
Torii Kiyonaga — An outing at Hagidera, from the series "A B
Kitao Shigemasa — Courtesans of Tsuruya, from the book "Mirr
Kitagawa Utamaro — Act Eleven from the series "The Chushingu
Utagawa Kunisada (Japanese, 1786–1865) — A View of the Large
Chōbunsai Eishi
Torii Kiyonaga — Courtesans and Their Child Attendants under
Kitao Shigemasa — Courtesans of Yotsumaya, from the book "Mi
Katsukawa Shunsho — Courtesans of the Kadotamaya, from the b
Katsukawa Shunchō (Japanese) — Women Viewing Cherry Blossoms