Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Roger Fenton’s images from the Crimean War represent the earliest attempt to photograph a military conflict; the English public devoured the visual records, reproduced as engravings and published in newspapers, from the comfort of their drawing rooms. Fenton spent the spring of 1855 in the Crimea under extremely trying conditions, making about 350 pictures over the course of three and a half months. Scenes of active battle were impossible to capture given the limitations of photographic technology at the time, and Fenton also restrained from portraying the bodies of dead soldiers. Instead he focused on the harsh scenery, life in the camp, and officers in the British Army. This image of a desolate campground comes from an album that Fenton published upon his return.
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Gustave Le Gray — Untitled
James Robertson — English Left Attack
John Beasley Greene (American, 1832–1856) — View of Luxor
Roger Fenton (British, 1819–1869) — Officers on the Lookout
Unknown|Mathew B. Brady — [Unidentified Union Army Encampmen
Timothy O'Sullivan — The Pulpit, Fort Fisher, N.C.
John Burke (Irish, 1845–1915) — Fort Battye and Plains of Fu
Maxime Du Camp — Gournah, Nécropole de Thèbes; Thèbes, plate
James Robertson — Road Opened Through Trenches
Unknown — [The Wilderness Battlefield]
Timothy H. O'Sullivan|Mathew B. Brady — [The "Mine," Petersb
Maxime Du Camp|Imprimerie photographique de Blanquart-Évrard