Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Fragments of Byzantine pottery preserve a variety of geometric and abstract floral motifs, and even personalized monograms. Such decorations were often created by cutting through the white slip, or glaze, to reveal the red earthenware beneath, a technique known as a sgraffito. Color washes in a range of greens and browns were then placed over the incised decoration, a method first introduced in the 12th century. Later, Byzantine pottery such as this circulated throughout the eastern Mediterranean, increasingly competing with ceramics from Italy, the Islamic world, and China. These techniques and decorative motifs continued to be used in regions of Greece, Anatolia (now Turkey), and the Balkans even after the end of the Byzantine Empire in 1453.
Be the first to share your thoughts.
Sign in to join the discussion.
Ancient Egyptian — Bead with Name of King Amenemhat
Ancient Egyptian — Amulet of a Lioness’ Head
Ancient Egyptian — Scaraboid: Cat
Ancient Egyptian — Scarab: Unlinked Scrolls and Spirals
Ancient Egyptian — Scarab: Wish Formula
Ancient Egyptian — Scarab: Wish Formula
Ancient Egyptian — Scarab: Antelope with Foliage (sw.t-plant
Ancient Egyptian — Pendant with the Cartouche of Kheperkare
Ancient Egyptian — Amulet of a Heart
Ancient Egyptian — Scarab: Abstract Designs
Ancient Egyptian — Scaraboid: Hippopotamus
Ancient Egyptian — Amulet of a Heart