Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Chicago businessman Potter Palmer and his wife Bertha commissioned a pair of portraits in 1871 from Hiram Powers, an American sculptor living in Florence (see Mr. Potter Palmer ). Executed in marble, with folded draperies and restrained features, the busts exemplify the classicizing style that Powers honed in Italy—and some Americans found so appealing—in the mid-19th century. They are among the first works of art purchased by the couple, who soon became major art collectors and philanthropists. Bertha Honoré Palmer, in particular, was a discerning collector, responsible for bringing some of the first works by French Impressionists to Chicago. An important cultural leader, she organized the displays and programming for the Woman’s Building at the 1893 World’s Columbian Exposition in the city.
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Harriet Hosmer — Zenobia, Queen of Palmyra
Christopher Hewetson — Bust of Martha Baker Swinburne
Chauncey Bradley Ives — Jephtha's Daughter
Johann Gottfried Schadow — Queen Louise of Prussia
Ancient Roman — Portrait Bust of a Woman
Pierre Jean David d'Angers — Mademoiselle Jubin
Lambert Sigisbert Adam — Bust of Amphitrite
Giuseppe Grisoni — Agate Head of Cleopatra
Giuseppe Mazza — Bust of Diana
Artist unknown — Ship Figurehead: Female Bust
Jan Jozeph Jaquet — Mascarade
De Grieksche A — Borstbeeld van Mary Stuart