Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Chicago businessman Potter Palmer and his wife Bertha commissioned a pair of portraits in 1871 from Hiram Powers, an American sculptor living in Florence (see Mrs. Potter Palmer ). Executed in marble, with folded draperies and restrained features, the busts exemplify the classicizing style that Powers honed in Italy—and some Americans found so appealing—in the mid-19th century. They are among the first works of art purchased by the couple, who soon became major art collectors and philanthropists. Bertha Honoré Palmer, in particular, was a discerning collector, responsible for bringing some of the first works by French Impressionists to Chicago. An important cultural leader, she organized the displays and programming for the Woman’s Building at the 1893 World’s Columbian Exposition in the city.
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Manufacture Oud-Loosdrecht — Johan van Oldenbarnevelt (1547-
Johannes Sophus Gelert — James H. Dole (1824-1902)
Manufacture Oud-Loosdrecht — Hugo de Groot (1583-1645)
Jonathan Scott Hartley — Lawrence Barrett as "Cassius"
Wedgwood Manufactory — Bust of Homer
Manufacture Oud-Loosdrecht — Kenau Simonsdr. Hasselaer (1526
Pietro Calvi — Bust of a Man
Wedgwood Manufactory — Seneca
Antonio Canova — Self-Portrait of the Sculptor Antonio Canov
François Duquesnoy — Bust of Jesus as a Youth
Manufacture Oud-Loosdrecht — Cornelis de Witt (1623-1672)
Manufacture Oud-Loosdrecht — Maria van Reigersberch (1589-16