Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The writing among the branches illustrates the kinship between painting and calligraphy.
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Min Zhen (Chinese, 1730–after 1788) — Dragon amid Clouds![Daoist Retreat in Mountain and Stream (Landscape after Ni Zan [1301–1374])](https://openaccess-cdn.clevelandart.org/1962.43/1962.43_web.jpg)
Lu Zhi (Chinese, 1496–1576) — Daoist Retreat in Mountain and
Bada Shanren (Chinese, 1626–1705) — Landscape after Guo Zhon
Zhang Shanghe — 清 張上龢 山水 軸|Landscape
Wang Shimin (Chinese, 1592–1680) — Mountain Village Embraced
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Wang Jian (Chinese, 1598–1677) — Shade of Pines in a Cloudy 
Ding Yunpeng (Chinese, 1547-c. 1628) — Morning Sun over Heav
Wu Li (Chinese, 1632–1718) — Pine Wind from Myriad Villages
Urakami (Uragami) Gyokudō 浦上玉堂
Wang Shimin — Landscape after Wang Meng
Uragami Gyokudō (Japanese, 1745–1820) — Forbidden to the Vul
