Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Lucas Kilian’s Mirrors of the Microcosm (see 1944.461 , .462 , and .521 ) were very likely used for reference in the Leiden University anatomy theater, as a set of the 1613 broadsides entered the collection in 1618. The theater already had a tradition of teaching from prints during dissections. In 1598, its founder, Professor Pieter Pauw, had forty prints after Vesalius framed and pasted onto a board for the walls of the theater. The flap broadsides were likely used in a similar didactic manner. Pauw also installed skeletons (visible in the background) and skulls (under the table) to educate his students as well as decorate the space and remind spectators of their impending demise.
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William Hogarth — The Reward of Cruelty (The Four Stages of
William Hogarth — The Reward of Cruelty (The Four Stages of
Jacques Callot — Mary Presenting Christ in the Temple, from
Jacques Callot — Martyrdom of Saint Andrew, plate three from
William Hogarth — The Reward of Cruelty
Albrecht Dürer — The Death of the Virgin, from The Life of t
Albrecht Dürer — The Rejection of Joachim's Offering, from T
Wenceslaus Hollar|Hans Holbein the Younger — The scourging
Albrecht Dürer — The Death of the Virgin, from the The Life
Hendrick Goltzius|Philips Galle — Dissension in the Church (
William Hogarth|John Bell|Boydell and Co. — The Reward of Cr
Albrecht Dürer — The Death of the VIrgin, from "The Life of