Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields. The shallow stream and dormant rice fields, the returning birds, and light sprinkles of green foliage all indicate the beginning of the farming season and hope for a good harvest. While this leaf depicts rural life, the second one,1999.224, is of a more poetic nature. A lone crane stands in a bamboo grove. By using light colors and nuanced brushwork, Tao Hong achieves an effect of natural light and luminosity.
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Kuncan (Chinese, 1612–c. 1673) — Spring Landscape
Kano Motonobu (Japanese, c. 1476–1559) — Flowers and Birds i
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Chen Hongshou (Chinese, 1598/99–1652) — Paintings after Anci
Luo Zhichuan (Chinese, active 1280s–1320s) — Carrying a Qin 
Luo Mu
Yi Bingshou — 清 伊秉綬 山水 冊|Landscapes
Liu Yu — 清 柳堉 幽谷深林圖 卷|Remote Valleys and Deep Forests
Ike Taiga (Japanese, 1723–1776) — West Lake
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
Wang Hui (Chinese, 1632–1717) — Tall Bamboo and Distant Moun
Zhang Shanghe — 清 張上龢 山水 軸|Landscape
