Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Both of the figures in Marcantonio Raimondi’s Venus and Cupid are nude. Yet the playful, loving rapport between mother and son mark this print as not so dissimilar from Marcantonio’s depictions of the Madonna and Child. The artist’s isolated treatment of the mythological pair in this shadowy niche suggests that they could also be meant to be sculptures. That conceit was often used in black-and-white grisaille paintings on the back of altar wings for pared-down New Testament scenes such as the Annunciation.
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Speculum Romanae Magnificentiae: Galba, from The Twelve Caes
Hercules, grasping Antaeus at the waist with both arms and l
The Massacre of the Innocents (Without the Fir Tree)
Apollo on Parnassus, Surrounded by the Muses and Poets
Speculum Romanae Magnificentiae: Nero, from The Twelve Caesa
Speculum Romanae Magnificentiae: Vespasian, from The Twelve
Martyrdom of Saint Lawrence
Two Fauns Carrying a Child
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — V
Frans Floris, I — Cain Killing Abel
Giovanni Jacopo Caraglio|Rosso Fiorentino — Plate 16: Hebe i
Anonymous, Italian, 16th to early 17th century|Marco Dente —
Giovanni Jacopo Caraglio|Rosso Fiorentino — Plate 17: Bacchu
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — D
Cornelis Cort|Antonio Lafreri|Claudio Duchetti — Speculum Ro
Adriaen de Vries|Jan Muller — Mercury Abducting Psyche (view
Hans Sebald Beham — Judith and Her Servant
René Boyvin — Hercules and Deianira
Nicolas Beatrizet — Joseph of Arimathea
Hans Brosamer — Cupid Bringing and Honeycomb to Venus