Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This photographer inventively expanded the medium to create a rare example of both early genre (everyday life) photography and documentation of artists at work. The collodion negative captured a wealth of detail. The French village courtyard bustles with activity-the artist in the foreground hugs a squirming child and chats with his wife; a group of peasant women in the background heave huge bundles of laundry about in carts and baskets; and an innkeeper poses proudly for the camera outside his ivy-covered establishment. The diagonals of the sloping roofs and the textures of tiles, wood, and stone enhance the composition's visual interest. A luminous glow, absorbed by open canvas umbrellas, pervades the center of the scene.
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Eugène Atget (French, 1857–1927) — Clamart (Vielle Rue)
Victor Petit (French, 1817–1874) — Architecture Pittoresque
Charles Marville — Rue Traversine (from the Rue d'Arras)
Unknown — [Man Sitting on Steps of House with Socks Hanging
Charles Marville — Rue de la Montagne-Sainte-Geneviève near
Charles Marville (French, 1813–1879) — Rue de la Ferronnerie
Charles Marville — Market of the Patriarchs (Marché des Patr
Unknown — Untitled
Rev. John Richardson Major (British, 1821–1871) — Gateway to
Charles Marville — [Rue de Constantine]
Hippolyte Bayard (French, 1801–1887) — View of Évreux
Edmond Bacot — Fontaine de la Croix de Pierre, Rouen