Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Beginning in 1862, Charles Marville served as the official photographer of the city of Paris, documenting the radical reconstruction of the city under Napoleon III's Prefect of the Seine, Georges-Eugène Haussmann. In a process that became known as Haussmannization, many of Paris's narrow medieval streets were demolished in order to make room for the wide boulevards and public parks for which it is now known. The city commissioned Marville to photograph the areas slated for destruction as well as the modern amenities, such as gas lighting and commercial kiosks, that would become fixtures of the new urban landscape. With a corpus of more than 400 photographs, Marville produced a remarkable document of Paris in a time of epochal transition.
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Charles Marville (French, 1813–1879) — Rue de la Ferronnerie
Eugène Atget (French, 1857–1927) — Clamart (Vielle Rue)
Charles Marville (French, 1813–1879) — Rue Jean-de-Beauvais.
Adolphe Terris — Rue des Grands Carmes, Vue prise de la Rue
William Henry Fox Talbot — The Boulevards at Paris
Anonymous — Wollzeile No. 3, Zinshaus des Peter Ritter von C
Edmond Bacot — Fontaine de la Croix de Pierre, Rouen
Anonymous — Wollzeile No. 9, Wohnhaus des Grafen Friedrich F
Thomas Annan — Princes Street from King Street
Gabrielle Niel (French, 1831–1919) — Eaux-Fortes sur le Vieu
Louis-Rémy Robert — [Village Scene, Brittany]
Lucien Gautier (French, 1850–1925) — La rue du Haut Pavé à P