Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Gauguin discovered an exotic, primitive culture in Brittany, a rugged region on the Atlantic coast in northwestern France. He then sought to translate into expressive forms the picturesque costumes, customs, and special spirituality of the peasants. The unusual point of view, the stylization of the frothing water, and the cropped cow at the lower left all betray the influence of Japanese woodblock prints, which became popular in France from the early 1860s. The twelve lithographs in this set, printed from zinc plates rather than stones, were Gauguin's first attempts at printmaking. To heighten the decorative effect, the lithographs were printed onto large sheets of bright yellow paper.
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Paul Gauguin — Washerwomen, from the Volpini Suite: Dessins
Paul Gauguin — The Laundresses, from the Volpini Suite
Paul Gauguin — Bretonnes à la Barrière, from the Volpini Sui
Émile Bernard (French, 1868–1941) — Les Bretonneries: Breton
Émile Bernard (French, 1868–1941) — Les Bretonneries: Title
Émile Bernard (French, 1868–1941) — Les Bretonneries
Paul Gauguin — Auti te pape (Women at the River) from the No
Édouard Vuillard (French, 1868–1940) — Beyond Human Forces (
Paul Gauguin — Breton Women by a Gate, from the Volpini Suit
Paul Gauguin — Manao tupapau (She Thinks of the Ghost or The
Paul Gauguin — Breton Bathers, from the Volpini Suite
Paul Gauguin — The Universe Is Created