Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
William Henry Fox Talbot, one of the inventors of photography, developed a negative-positive process that permitted the reproduction and dissemination of images with relative ease. In The Pencil of Nature —one of the first commercially produced, photographically illustrated books—Talbot noted an advantage of the new art form beyond mere duplication: “it enables us at pleasure to alter the scale, and to make the copies as much larger or smaller than the originals as we may desire. . . . Yet preserving all the proportions of the original.” Here Talbot reduced an 1829 engraving by Luigi Rossini of a Roman arch to approximately 15 percent of its original size. Even on a smaller scale, Talbot’s image retains the delicate lines and detail of the engraving.
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Joseph Pennell — The Bridge of Alcantara, Toledo
Joseph Pennell — The Bridge of Alcantara, Toledo
James Duffield Harding — Aliscamps, W. Arles, from Picturesq
Charles-André Malardot — Environs of Metz
Joseph Mallord William Turner — Mill near the Grand Chartreu
Henry Hill — Crags and Horses in Highlands
Donald Shaw MacLaughlan — The Fountains
Francis Seymour Haden — The Castle Bridge
Donald Shaw MacLaughlan — The Fountains
Ernst Fries (German, 1801–1833) — Six Views of Heidelberg Ca
Johann Christoph Erhard — Bridge and Ruined Tower
Joseph Mallord William Turner — Mill near the Grand Chartreu