Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Alongside his career as a connoisseur and art historian, Dillis drew and painted enthusiastically. Between 1808 and 1814 he was a professor of landscape painting at the Munich Academy. Most of his work consists of freely painted watercolors and oil sketches executed directly from nature. This atmospheric study of the staggeringly high Rauschberg mountain may have been influenced by English watercolors, with which Dillis was familiar.
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Adrien Dauzats — Gezicht bij Roquebrune, Fréjus
Louis Gurlitt — A View of Cavi in the Sabine Hills
Alexandre Calame — Forets et Montagnes
Théodore Rousseau — Cliffs of Malbec at Mont-Dore, the Auver
David Roberts (Scottish, 1796–1864) — Gebil Hor. Mount Hor,
Jasper F. Cropsey (American, 1823–1900) — A View from Bald M
Herman Naiwincx (Flemish, c. 1624–after 1651) — The Rock at
Edward Lear (British, 1812–1888) — Olevano
Edward Lear (British, 1812–1888) — Civitella di Subiaco
Francis Towne|C. & I. Honig — Near Glaris [Glarus], Switzerl
Clarkson Stanfield — Lake of Thun looking North
William West — Misty Mountains