Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is one of a number of drawings the artist made to illustrate scenes from Torquato Tasso’s epic poem Jerusalem Delivered (Gerusalemme liberata), first published in 1581. In order to avert a massacre, Sophronia (seen at left) enters the palace of the Muslim ruler of Jerusalem to plead her Christian people’s innocence. Andrea Boscoli’s style is characterized by a heavy use of wash, with a calligraphic line that delineates form with great subtlety. He juxtaposes a plunging perspective at left with the up-close palace colonnade at right to create a sense of negative-positive visual tension.
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Standing Academy
Olympias, Mother of Alexander, Visited by Zeus in the Guise
Kneeling Figure from the Back (recto); Three Half-length Stu
Saints Peter and Paul Disputing with Simon Magus before Nero
Annunciation
Two Standing Female Figures (Studies after Classical Statuar
Martyrdom of Saint Peter
Scenes from Ancient History, after Polidoro da Caravaggio
Giacomo Guardi — The Courtyard of the Doges' Palace
Anonymous, Italian, 16th century — Architectural Sketches an
Francesco Guardi — An Architectural Capriccio, with Classica
Marco Marchetti — Design for Tomb with Canopy
Fra Filippo Lippi (Italian, c. 1406–1469) — The Funeral of S
Francesco Guardi — Architectural Capriccio: Vaulted Colonnad
Agostino (Stanzani) Mitelli|Giacomo Chiavistelli — Studies f
Giovanni Paolo Panini — Roman Ruins and Two Figures
Lombardy- The Veneto — The Return of the Prodigal Son
Anonymous, Italian, Roman-Bolognese, 17th century — Figures
Filippo Juvarra — Architectural Study (recto); Separate Shee
Giovanni Paolo Panini|Charles Joseph Natoire — Architectural