Qiu Ying

Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)

Qing dynasty (1644–1911); Jiaqing–Daoguang reigns, c. 1796–1850
Album of rubbings, ink on paper
27 × 14 cm (10.6 × 5.5 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

In Chinese ink rubbing, dampened paper is applied to a carved or incised surface and dabbed with ink. This practice traces an object’s surface so that raised areas appear darkened and recesses are left white in the final print. This is an early 19th-century rubbing of a commemorative stele, or stone tablet, for the Buddhist master Daoyin that was erected in 663. According to the inscription, Daoyin translated Buddhist scriptures with Xuanzang, who traveled to India from 629 to 645 and brought back hundreds of Indian texts. The original rubbing was cut into strips and pasted into an album, a format conducive to collecting and learning calligraphy.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Qiu Ying

The Peach Blossom Spring 桃花源圖The Peach Blossom Spring 桃花源圖Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for TeaZhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange foTwo Girls behind Screen and Two CatsTwo Girls behind Screen and Two CatsUntitledUntitledPalace LadiesPalace LadiesTwo Figures Embracing in LandscapeTwo Figures Embracing in LandscapeSeated Girl on PorchSeated Girl on PorchThree Figures in LandscapeThree Figures in Landscape

More like this

Inscription on the Stone Drums, and the Bilou Stele: Calligraphy in Seal ScriptQian Daxin — Inscription on the Stone Drums, and the Bilou SArtworkArtworkPaintings after Ancient Masters: CalligraphyChen Hongshou (Chinese, 1598/99–1652) — Paintings after AnciAlbum of Calligraphy and PaintingsBian Shoumin (Chinese, 1684–1752) — Album of Calligraphy andArtworkUnidentified artistThe Wrapper for the series "Eight Views of the Parlor (Zashiki hakkei)"Suzuki Harunobu — The Wrapper for the series "Eight Views ofPoem in Running ScriptZhang Ruitu — Poem in Running ScriptArtworkCalligraphy Accompanying Xugu's PaintingXugu — Calligraphy Accompanying Xugu's PaintingAlbum of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Xugu — Album of Landscapes and Figures, with Calligraphy by ArtworkUnidentified artist