Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s. Telemachus is the son of Ulysses from Homer’s Odyssey , the first four books of which describe the hero’s search for his father. Fénelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality Fénelon believed ancient Greece best exemplified. Pinelli illustrated scenes from books 1–8 and one scene from book 18, and probably planned to illustrate more from the 24 books of the text. Throughout, he celebrates the heroic nude, displaying a deep knowledge of ancient Roman sculpture. His style, influenced by Jacques-Louis David and John Flaxman, is characterized by bold, almost cartoonish contours, monochromatic washes, and frieze-like arrangements of figures. With a magical
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Giovanni Battista Cipriani — Ulysses and Nausicaa
Joseph Anton Rhomberg — The Mourning of the Dead Abel
John Hamilton Mortimer|Robert Blyth — Rustick Dancers
Charles Reuben Ryley|John Hamilton Mortimer — Three Putti Da
Louis Hersent — Two Figures in a Landscape
Lodovico Lipparini — Feast of Ceres
Robert Blyth — Fishermen
Juan Cristobal — Apollo and the Muses
Willem van Swanenburgh — Meeting of Moses and Jethro, plate
Carl Russ — Diogenes in His Tub with Alexande and His Genera
Jean Michel Moreau — The Arrival of Jean-Jacques Rousseau to
Joseph Mallord William Turner — The Woman and Tambourine, pl