Anne-Louis Girodet de Roucy-Trioson
Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Throughout the 1800s and into the 1900s, prints, paintings, and photographs, like Louis Haghe’s Egypt and Nubia series, brought back by artists who voyaged to Egypt, inspired American and European artists, architects, and designers to emulate ancient Egyptian motifs and styles. Egyptomania blossomed through the 1800s and can be seen in architecture around cities like Washington, DC, and in the interiors of aristocratic homes, as well as in funerary monuments, such as in Lake View Cemetery in Cleveland, Ohio. Looking back at these creations provides an interesting historical groundwork for debating who has the right to interpret Egyptian motifs and styles.
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Otto van Veen — Valentinus Taken Prisoner
Otto van Veen — De Bataven verslaan de Romeinen bij de Rijn
Alexandre-Gabriel Decamps — The Turkish Patrol
Jacques Callot|Matteo Rosselli — Les Troupes Forcent la Port
Hieronymus Hopfer (German) — Combat between horsemen
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Hans Burgkmair|Jost de Negker|Marx Treitz-Sauerwein von Ehre
Giovanni Battista Scultori (Italian, 1503–1575) — Trojans Re
Lucas Cranach the Elder — The Tournament with Lances
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — D
Albrecht Dürer — The Betrayal of Christ, from "The Large Pas