Anne-Louis Girodet de Roussy-Trioson
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is a preparatory sketch for a monumental painting depicting one of the bloodiest moments of Napoleon’s 1798 invasion of Egypt: the suppression of an uprising in Cairo. The conflict included a massacre in the Al-Azhar Mosque of Mamelukes, a military class of enslaved men who occupied much of the Middle East at that time. As there were no surviving eyewitness reports, Girodet was free to interpret the event as he wished, and, as a commission from Napoleon, the painting celebrates the French point of view. Throughout the work, Girodet perpetuates European fantasies of the Middle East as simultaneously opulent and brutal, lavishing attention on Arab and Ottoman turbans, luxurious fabrics, bare flesh, and gore.
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Portrait of the Katchef Dahouth, Christian Mameluke
Jean-Baptiste Belley
Bust of Male Nude (recto); Portrait Sketch of Man with Sketc
Portrait of Coupin de la Couperie
Portrait of Coupin de la Couperie
Phaedre, Having Declared Her Passion, Attempts to Kill Herse
Hermione Rejecting Orestes
Fingal Mourning Over the Body of Malvina, from Ossian's Berr
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824) — Sk
Otto van Veen — De Bataven verslaan de Romeinen bij de Rijn
Alexandre-Gabriel Decamps — The Turkish Patrol
Otto van Veen — Valentinus Taken Prisoner
Dutch — David Slaying Goliath
Jacques Callot|Matteo Rosselli — Les Troupes Forcent la Port
Style of Théodore Chassériau — Saracens and Crusaders
François Joseph Heim — The Sack of Jerusalem by the Romans
Jacques Callot|Matteo Rosselli — Les Troupes Forcent la Port
Jacques Callot|Matteo Rosselli — Les Troupes Forcent la Port
Antonio Tempesta|Otto van Veen — Plate 9: The Romans Defeate
Jean Louis Ernest Meissonier — The Defense of Paris