Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Aubry-Lecomte, a student of Girodet, used the new art of lithography to reproduce the heightened facial expressions then prevalent in Romantic history painting. This evocative lithograph, shown at the Salon of 1822, is based on Girodet’s 1802 painting Ossian Receiving Napoleonic Officers (in the collection of Chateau du Malmaison). Galvina, shown at the left, is a tragic character from the fabricated epic poetry of the fictional Scottish bard Ossian, highly popular in the 18th century.
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Andrea Schiavone (Andrea Meldola) — St. Paul Preaching in At
Giovanni Benedetto Castiglione (Italian, 1609–1664) — The Ge
Hendrick Goltzius (Dutch, 1558–1617) — The Deities: Demogorg
Charles Rambert — Plate Two from Misery
Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous
Honoré-Victorin Daumier — Merope. “A soldier of my stature i
Jacques de Gheyn, III — Two Formations of Grotesque Heads
Giovanni Domenico Tiepolo (Italian, 1727–1804) — Martyrdom o
Eugène Delacroix (French, 1798–1863) — Hamlet: The Murder o
Charles Rambert — Drunkenness
Johan Tobias Sergel — Achilles Restrained by Athena in Agame
Charles Rambert — Plate Four from Misery