Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The fateful struggle between the lust-crazed Roman prince Tarquin and Lucretia, the chaste wife of another Italian ruler, inspired two engravings by Cornelis Cort after Titian’s well-known painting of this subject (Fitzwilliam Museum, Cambridge, England). This engraving is oriented in the same direction as the painting, though with a more complete composition than the subsequently cropped original work. This impression is a fine, dark and early first state, before the artist’s signature and a poem were added at the bottom. Threatening murder and dishonor, Tarquin raped Lucretia, but her subsequent suicide fueled a rebellion against the monarchy, forever changing Roman history.
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Cornelis Cort|Titian (Tiziano Vecellio) — Tarquin and Lucret
Pietro Monaco|Pietro Monaco|Giovanni Battista Pittoni — Sams
Heinrich Aldegrever — Judge Herkinbald (Archambauld) Stabbin
Agostino Carracci — Ogni cosa vince l'oro
Hendrick Goltzius — Tarquinius and Lucretia, from The Story
Heinrich Aldegrever — Judge Herkinbald (Archambauld) Stabbin
Hieronymus Ferroni|Carlo Maratti — Jael slaying Sisera
Johann Liss — Cephalus and Procris
Cornelis Galle I|Peter Paul Rubens — Judith Beheading Holofe
Heinrich Aldegrever — Judge Herkinbald Cutting the Throat of
Giorgio Ghisi|Giulio Romano — Tarquin attacking Lucretia, a
Carlo Maratti|Hieronymus Ferroni — Joseph and Potiphar's wif