Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Flemish-born artist Jean-Antoine Watteau deviated from his acclaimed scenes of courtly figures in park-like settings (called fêtes galantes ) with this arresting and naturalistic chalk drawing of a humble Savoyard. This elderly vagabond from the Savoy region of France was one of many peasants who, around the turn of the eighteenth century, flocked to Paris, where they tried to eke out livings as chimney sweeps, scavengers, or street entertainers. This old entertainer’s props accompany him: a large box of curiosities is on his back, and under his arm is a smaller case probably containing his constant companion and coperformer, a furry marmot. Using only two colors of chalk, Watteau depicted the Savoyard’s shrewd, humorous face, his tattered clothing, and his bulky paraphernalia with remarkable precision, sensitivity, and humanity. Of the ten extant studies of Savoyards by Watteau, four appear to portray the same salty character seen here. The drawing’s broad, free execution points to the accomplished late works of this gifted artist.
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Francesco Vanni — Standing Woman Looking to Left Background
Frederic, Lord Leighton|Romain Cazes — Study of a Standing F
Anonymous — Ecclesiastic Seen from Behind
Anthony van Dyck — Study for a Portrait of a Lady
Carlo Vimercati (Italian, 1660–1715) — Rear View of Seated M
Pietro Antonio Novelli — Allegorical Figure of a Woman
Charles Joseph Natoire — Standing Male Figure with Left Arm
Pietro Longhi (Italian, 1702–1785) — Studies of a Costume, S
Domenico Fiasella — Standing Angel (recto); Study of Face an
Pedro Duque Cornejo|Anonymous, Spanish, School of Seville,
Rembrandt (Rembrandt van Rijn) — Beggar with a Wooden Leg
Jacques Callot|Anonymous — Reverse Copy of Le Mendiant aux B