● On view now — Gallery 216
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jean-Antoine Watteau developed the genre of painting known as fête champêtre , featuring courting figures relaxing in a landscape. The elegant figures in Pastoral Gathering are grouped to suggest the three phases of love: childhood innocence (left), romantic enchantment and courtship (center), and amorous attainment (right). The transitory nature of romance is underscored by the changing autumn leaves and waning afternoon light. This painting may have been begun by Watteau toward the end of his career and finished by Jean-Baptiste Pater, who studied under Watteau and completed some of his unfinished projects.
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Jean-Baptiste Joseph Pater — Concert Champêtre
Jean-Baptiste Joseph Pater — The Fair at Bezons
Jean Baptiste François Pater — Fête galante in a L
Jean-Baptiste Pater (French, 1695–1736) — Dancers in a Pavil
Christian Wilhelm Ernst Dietrich — Surprised, or Infidelity
Jurriaan Andriessen — Arcadisch landschap met musicerende en
Carle (Charles André) Vanloo — Halt of the Hunt
Nicolas Lancret (French, 1690–1743) — Declaration of Love
Jean Baptiste Vanmour — Banquet of Distinguished Turkish Wom
Jurriaan Andriessen — Arcadisch landschap met reizigers
Jean-Baptiste Joseph Pater — Troops at Rest
Károly Markó (Hungarian, 1791–1860) — Diana and Her Nymphs