Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Johann Heinrich Ramberg studied history painting with Benjamin West in London from 1781 to 1788, but he found livelier inspiration in the English caricature tradition of William Hogarth and Thomas Rowlandson. On his return to Germany, he made his reputation by designing a classical curtain for a theater in his native Hannover, though he was more successful as a satirist and book illustrator. The Lovers , which is historicizing in its broad scale, slyly adds humor, romance, and a fairy-tale ambiance to Ramberg’s favorite theme: voyeurism. The postcoital pair, snug in their idyllic curtained bower, doze on, oblivious to the arrival of curious family members and pets.
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Jean-Baptiste Le Prince — The Rest (Le Repos)
Jean Massard — The Rising
Jean Honoré Fragonard|Antoine Louis Romanet|Clément Pierre M
Thomas Rowlandson — Love in the East
Nicolas Delaunay — Les Soins Tardifs
Pierre Antoine Baudouin|Jean Massard — Le Lever
Thomas Rowlandson — Sportsman's Hall, or Fox-Hunters Relaxin
Pierre Antoine Baudouin|Jean Massard — Le Lever
Giovanni Domenico Tiepolo — Joseph Tells Mary of Their Forth
Philippe Triere — Le Lever de la Mariée
William Hogarth — Strolling Actresses Dressing in a Barn
Jean Honoré Fragonard — The Armoire