Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Rococo taste for narrative led the great painter and printmaker Jean-Honoré Fragonard to devote his largest etching to a risqué domestic drama. A young woman and her paramour have been interrupted in a compromising position by her parents. The rumpled state of the bedclothes alone would have roused their ire, but they have also discovered the young man hiding in their daughter’s closet. The mortified young man’s strategically positioned hat leaves both the parents and viewers in little doubt of his dishonorable intentions. The girl stands barefoot and weeping in the corner out of modesty and fear, unable to meet her furious parents’ gaze.
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Jean-Honoré Fragonard (French, 1732–1806) — The Cupboard
Jean Honoré Fragonard|Jean de La Fontaine|Jean-Baptiste-Mich
Valentine Green — Miravan
Giovanni Battista Tiepolo — Two Soldiers and Two Women, from
Carl Russ — The Two Bald Men Fighting Over a Comb
Giovanni Battista Tiepolo — A Woman with her Hands on a Vase
Jean de La Fontaine|Jean Honoré Fragonard|Pierre Didot l'ain
John Hamilton Mortimer|Francis Chesham — The Coke and Perkin
Pieter Lastman — Sophonisba Receiving the Poisoned Cup
Pieter Claesz. Soutman — Christ Taken
Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste-Mich
Rembrandt (Rembrandt van Rijn) — Return of the Prodigal Son