Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Downman’s drawings appear in the same direction as (and likely reproduce) Jean Audran’s large-scale 1727 etchings after Le Brun. The accompanying text describes the expression of attention thusly: “The effects of attention are to lower and contract the eyebrows toward the sides of the nose, to turn the pupils toward the object that causes (the emotion), to open the mouth, and above all, the top lip, to lower the head little and to keep it steady without other notable changes.”
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Eduardus Jacobus — Attention
Eduardus Jacobus — Simple Bodily Pain
Eduardus Jacobus — Compassion
Sir Edward Burne-Jones — Draped Head, Eyes Looking Toward Ri
Heinrich Karl Anton Mücke — Portrait of Alfred Rethel, looki
Alphonse Legros (French, 1837–1911) — Head of a Man
William Sharp — Evil
Benjamin Robert Haydon — Head of Solomon (recto); Classical
Sir Edward Burne-Jones — Head of Girl Facing Left
Giovanni Antonio Sogliani — Head of a Youth in Profile (rect
Charles Le Brun — Head of an Old Man
Eduardus Jacobus — Hatred or Jealousy