Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Salvator Rosa paired this large-scale etching with a similarly oversize print of the crucifixion of Polycrates (the painting is also in the Art Institute collection, 1942.292). He dedicated this etching—depicting the gruesome end of the stalwart Roman consul Atilius Regulus at the hands of the Carthaginians—to his best friend, Giovanni Battista Riccardi, urging him to stay strong in the face of adverse fortune, just as Atilius Regulus “remains a firm center in the midst of so many nails.”
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Giovanni Battista Tiepolo — Illustration for a Book: General
Giovanni Battista Tiepolo — Two Soldiers and Two Women, from
Rembrandt van Rijn (Dutch, 1606–1669) — The Large Lion Hunt
Willem van Swanenburgh — Meeting of Moses and Jethro, plate
Friedrich Sustris — The Siege of Fiesole by the Goths
Gabriel Jacques de Saint-Aubin — Laban Searching for his Hou
Christian Wilhelm Ernst Dietrich — Baptism of the Chamberlai
Jacques Callot — The Betrayal, from The Small Passion
Pietro Testa — Venus and Adonis
Anonymous, German, 18th century|Anton Kern — Two Women befor
Lazzaro Tavarone — Study for Saint James Saving an Innocent
François Le Moyne — Alexander and Porus