● On view now — Gallery 209
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A native of Naples, Salvator Rosa settled in Rome in 1649, producing dramatic works regarded as counterparts to the calm, classical landscapes of his contemporaries Claude Lorrain and Nicolas Poussin . Rosa’s landscapes present nature as wild, filled with striking effects of light, jagged cliffs, and dark grottoes. These qualities underline the eerie mood in his depiction of the death of Polycrates, ruler of the Greek island of Samos. Together with its companion piece Polycrates and the Fisherman , it illustrates the king’s inability to escape the ups and downs of fortune to which all humans are subject.
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Giovanni Battista Tiepolo (Italian, 1696–1770) — Study for "
Salvator Rosa (Italian, 1615–1673) — Scenes of Witchcraft: N
Jacob Symonsz Pynas — The Meeting of Jacob and Esau
Petrus van Hattich — Nymphs in a Cave with Antique Ruins
Felice Torelli — Death of Saint Peter Martyr
Pieter Bodding van Laer — A Shepherd and Washerwomen at a Sp
Alessandro Magnasco — Carthusian Monks in a Landscape
Bartholomeus Breenbergh — The Preaching of John the Baptist
Francisque Millet — Mercury and Battus
Guido Reni (Italian, 1575–1642) — Martyrdom of Saint Andrew
Sebastiano Ricci — The Baptism of Christ
Joseph Goupy (British, 1686–before.1770) — Jacob's Dream