Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Riter Fitzgerald—the art, music, and literary critic for the Philadelphia Evening Item —championed Thomas Eakins’s work and publicly defended the artist when his teaching methods proved controversial. Eakins’s portrait of the journalist is informed by Fitzgerald’s open-minded opinions, his appreciation of diverse art forms, and his commitment to intellectual life. Comfortably seated in his book-lined library, Fitzgerald is portrayed as a genteel man who enjoys a leisurely, yet contemplative lifestyle. With an open book in his lap, he thoughtfully gazes into the distance, peacefully lost in the realm of ideas.
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John Harrison Witt (American, 1840–1901) — Hinman B. Hurlbut
Julius Gari Melchers — Portrait of Charles Lawrence Hutchins
Willy Martens — Daniël Franken Dzn (1838-98). Bankier e
Willy Sluiter — Jacob Christiaan Koningsberger (1867-1951).
Anders Zorn (Swedish, 1860–1920) — Lawyer Wade
Charles Meryon (French, 1821–1868) — Casimir Le Conte
George Percy Jacomb-Hood (British, 1857–1929) — Sir Francis
Anders Zorn — Colonel Lamont I (Whole length)
Anders Zorn — Lawyer Wade
Leslie Matthew (Spy) Ward (British, 1851–1922) — Vanity Fair
Charles Meryon (French, 1821–1868) — Casimir le Conte, after
Eastman Johnson (American, 1824–1906) — Portrait of Franklin