Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Best known for his realist portraits and scenes of contemporary life, Thomas Eakins also spent considerable energy on history paintings. Here, he executed a study for a painting that celebrates an early American sculptor, William Rush. In the finished painting, Rush is depicted carving his Water Nymph and Bittern (1809), for which the model poses; the statue adorned a public square in Philadelphia, the hometown of both artists. Eakins, an ardent advocate of studying from life, highlights this artistic working method in his rendering of the female form. In 1870s America, artistic studies from the nude figure remained a rarity, a condition that Eakins worked hard to overturn in the following years as an instructor at the Pennsylvania Academy of the Fine Arts.
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George Bellows (American, 1882–1925) — Statuette
Rembrandt van Rijn — Woman with the Arrow
George Bellows (American, 1882–1925) — Standing Nude Bending
Theodore Roussel — Nude Figure Lying Down
Hippolyte Michaud — Badende vrouw
Anders Zorn — Study from Model
Gabriel Jacques de Saint-Aubin — Pandora
Jean Baptiste Carpeaux — Back View of Seated Figure, Lifting
Henri Lehmann — Study of a Female Nude
William Etty (British, 1787–1849) — Seated Nude
Anders Zorn — Nanette
Domenico Maggiotto — Male Nude Seen from the Back