Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Maps of the heavens and earth were one of the first printed instruments to be turned into three-dimensional objects—as globes. These began with functional two-dimensional diagrams that were cut out in elongated globe-gore strips and pasted onto spheres. While Dürer’s maps of the northern and southern skies were not meant to be mounted in this way, they were copied hundreds of times for this purpose. Produced as a presentation gift along with a view of the terrestrial globe for a humanist advisor to Emperor Maximilian, the dual view depicts the heavens as if the viewer were observing them from space.
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Hans Baldung (called Hans Baldung Grien) — Chart of the Sign
Theodor de Bry — Pride and Madness (Orgeuille et Follie)
Albrecht Dürer (German, 1471–1528) — Revelation of St. John:
Jost Amman (Swiss, 1539–1591) — The Ptolemaic System, from C
Anonymous, German, 15th century — The Lord's Prayer and the
Sebastiano di Re — The Cage of Fools (La gabbia de' matti)
Anonymous, Italian, 16th century — The World, Cage of Fools
Virgil Solis — Classical Allegory with the arms of the Ochse
Philips Galle — Temperance, from The Seven Virtues
Johann Michael Püchler — The Perpetual Calendar with Portrai
Albrecht Dürer (German, 1471–1528) — The Beast with Seven He
Jacob de Gheyn, II — Neptune’s Kingdom