Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Especially luxurious prints were sometimes made with precious metal plates. The design of the roundel by the printer and goldsmith Theodor de Bry may also have been engraved into low silver bowls. Viewers must rotate the print to inspect the continuous design, which moves from Adam and Eve to the Apocalypse. The central visual gag is a double head showing a fool in this orientation and a satyr when upside down.
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Design for a Dish with Portraits of the Roman Emperors Caesa
Design for a Dish with Portraits of the Roman Emperors Vetll
Design for a Dish with Portraits of the Roman Emperors Nero,
Scene with Misericordia and Veritas in a Circle at Center
Design for a Dish with Portraits of the Roman Emperors Tiber
Portrait of William I of Orange, from a Series of Tazza Desi
Scene with a Feast of Love in a Circle at Center
Portrait of the Duke of Alva, from a Series of Tazza Designs
Master ES (German, active 1450–67) — St. John the Baptist Su
Jacob de Gheyn, II — Neptune’s Kingdom
Johann Michael Püchler — The Perpetual Calendar with Portrai
Theodor de Bry (Flemish, 1528–1598) — The Captain of Folly:
Adriaen Collaert — Thetis on a Shell, from a Set of Designs
The Last Judgment in the Presence of the Saints and the Arch
Lucas Cranach the Elder — Reliquary with the Trinity
Master B with Two Crossed Daggers — St. George Killing the D
Israhel van Meckenem (German, c. 1440–1503) — Upright Orname
Adriaen Collaert|Philips Galle — Design for a Plate with The
Michel Wolgemut — Moses Found by Pharaoh's Daughter (recto)
Israhel van Meckenem — Ornamental Engraving with the Tree of