Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Based on a lost drawing by Leonardo da Vinci, this oval allegory of battling mythical beasts was translated into several different engravings by Italian Renaissance artists as well as by Jean de Gourmont. The banner above the three animals reads “Ergo,” literally meaning “therefore,” a term whose broader significance within this setting is unknown. The print may be a civic political emblem of the lion of Venice attacking the Milan dragon, with an unaffiliated fox as onlooker.
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Marco Dente — A lion, dragon and fox fighting each other, an
Anonymous, Italian, 16th to early 17th century|Marco Dente —
Marco Dente — A lion, dragon and fox fighting each other, an
Marco Dente|Antonio Salamanca — A lion, dragon and fox fight
Giulio Romano|Léon Davent — Jupiter's Eagle Bringing the Wat
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Polifilo Giancarli|Odoardo Fialetti|Tasio Giancarli — Disegn
Nicolaes de Bruyn (Netherlandish, 1571–1656) — Lion Fighting
Allart van Everdingen (Dutch, 1621–1675) — Reynard the Fox:
Pietro da Cortona — The Holy Trinity with Saint Michael Conq
Allart van Everdingen (Dutch, 1621–1675) — Reynard the Fox:
Master of the Beheading of St. John the Baptist — Allegory: