Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Socially well connected and prominent in photographic circles, Roger Fenton was commissioned to document the British military during the Crimean War. He spent March through June 1855 with the troops, producing 350 wet-plate glass negatives in his horse-drawn darkroom; they were later shown in exhibitions and published in portfolios for purchase. Because of technical limitations and his presumed upper-end clientele, these earliest images of war do not depict death and battle, but rather portraits of officers and scenes of ships, tents, and supplies, as seen here. Hugh Edwards maintained that practicing photographers and the public needed to learn from past masters, and he acquired two albums of Fenton’s Crimean photographs.
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Gustave Le Gray — The Port and City of Sète-Mediterranean (P
Francis Frith — Watermouth
Gustave Le Gray — Ships in the Harbor at Sète
Peter Henry Emerson — Old Hulks
Gustave Le Gray — The Jetty at Sète
Francis Frith — Assouan
John Burke (Irish, 1845–1915) — The Bridge of Boats and Fort
Peter Henry Emerson — Great Yarmouth Harbour
Thomas Sutton — Harbor Scene
Samuel Bourne (British, 1834–1912) — Calcutta. The Custom Ho
Antonio Beato (British, c. 1825–1903) — View of Aswan - Alon
Peter Henry Emerson — The Peaceful Harbour