Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A painter, draftsman, and printmaker, as well as a satirical poet and actor, Salvator Rosa was one of the most idiosyncratic Roman artists of the 17th century. This rare subject, related to both a painting and a large etching in the Art Institute’s collection, is of the crucifixion in 522 b.c. of the wealthy and greedy tyrant of Samos, Polycrates, who incited the envy of the Persian viceroy of Sardis, Oroetes, to his peril.
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Anonymous, Italian, Roman-Bolognese, 17th century — Nude Fig
Ferrara|Francesco del Cossa — Saint Sebastian in a Landscape
Charles Le Brun — Study for a Herm
Guercino — Christ on the Cross: Study for the Crucifixion wi
Sodoma (Italian, 1477–1549) — The Unrepentant Thief
Francesco Montelatici ("Cecco Bravo") — Man Sheathing a Swor
Hubert François Gravelot — Study for Lucain's "La Pharsale",
Girolamo Muziano — Christ on the Cross
Battista Franco — The Penitent Thief on the Cross
Cecco Bravo (Italian, 1607–1661) — Study of a Standing Male
Jusepe de Ribera (Spanish, 1591–1652) — St. Sebastian
Unknown Tuscan — Saint John the Baptist (or Christ) Preachin