Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Like many artists of his generation, Walter Shirlaw furthered his training in Europe, studying at the Royal Academy in Munich. German instruction focused on a dark, painterly realism and was steeped in an astute understanding of aesthetic traditions. In Toning the Bell , executed during his student years and now considered his best-known work, the artist demonstrated an accomplished Munich style, featuring noble peasants, a limited tonal palette, and strong contrasts of light and dark. Prior to his time abroad, Shirlaw had worked in Chicago and helped establish the Chicago Academy of Design, a forerunner to the Art Institute of Chicago.
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Style of Honoré Victorin Daumier — Street Musicians
Adriaen van Ostade — Strolling Violinist at an Ale House Doo
Cornelis Visscher — Hearing (De Fiool Speelder)
Rembrandt van Rijn (Dutch, 1606–1669) — The Strolling Musici
Léonard Defrance — The Forge
Adriaen van Ostade (Dutch, 1610–1684) — The Family
Mariano Fortuny y Marsal — Cavalier
Charles-Émile Jacque (French, 1813–1894) — Pifferaris
Francisco Lameyer y Berenguer — Plate 12: a group of people
William Strang (British, 1859–1921) — Tinkers
Adriaen van Ostade — Merrymakers in an Inn
Frederick Barnard — Two Gentlemen Helping a Drunk