Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although 17th-century Holland produced neither noteworthy composers nor renowned performers, rarely has another culture produced so many visual images of music as the Dutch. In this depiction of a pair of itinerant musicians wearily shuffling from door to door, Rembrandt reveals his compassionate understanding of human frailties. The hurdy-gurdy and bagpipes, as depicted here, were frequently associated with itinerant beggars and blind street singers in paintings and prints of the period.
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Rembrandt van Rijn — The Strolling Musicians
Rembrandt (Rembrandt van Rijn) — The Strolling Musicians
Adriaen van Ostade (Dutch, 1610–1684) — The Spectacle Seller
Adriaen van Ostade — The Spectacle Seller
Rembrandt (Rembrandt van Rijn) — The Adoration of the Shephe
Francisco Lameyer y Berenguer — Plate 12: a group of people
Rembrandt van Rijn — Beggar Man and Beggar Woman Conversing
Francisco Lameyer y Berenguer — Plate 18: street musicians a
Rembrandt van Rijn — Jews in the Synagogue
Rembrandt van Rijn — Beggars Receiving Alms at the Door of a
Christian Wilhelm Ernst Dietrich (German, 1712–1774) — The P
Rembrandt (Rembrandt van Rijn) — The Adoration of the Shephe