● On view now — 110A Italian Gothic
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
On the eve of the Battle of Montaperti in 1260, the Tuscan town of Siena was dedicated to the Virgin. Siena’s miraculous victory the following day confirmed its status as the "City of the Virgin" and inspired fervent devotion among its citizens. Marian imagery flourished, and many altarpieces comprising images of the Madonna and Child flanked by saints were made for Sienese churches. This panel once formed part of such an altarpiece. Here, the infant Christ clings to his mother’s clothing. He also holds a scroll that proclaims his special destiny. Lippo Memmi was the brother-in-law of Simone Martini, an extremely influential Sienese painter. The two artists worked closely together, and this Madonna and Child reflects Simone’s aristocratic and elegant style.
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Neri di Bicci (Italian, 1419–1491) — Virgin and Child
Simone Martini — Madonna and Child
Sano di Pietro — Virgin and Child with Saints Jerome, Bernar
Lippo Memmi (Filippo di Memmo) — Madonna and Child with Sain
Niccolò di Pietro Gerini — Virgin and Child
Virgin and Child Enthroned
Benvenuto di Giovanni — Madonna and Child
Central Italian — Virgin and Child
Master of San Lucchese (Italian, c. 1335–1380) — Madonna and
Paolo di Giovanni Fei — Madonna and Child
Icilio Federico Joni (Italian, 1866–1946) — Virgin and Child
Segna di Buonaventura — Madonna and Child