● On view now — 110A Italian Gothic
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Seated on an elaborate throne, the Madonna’s weighty majesty emphasizes her role as the Queen of Heaven as she gazes at her infant son. The child, in turn, stares at the viewer. To Christ’s right is a fluttering goldfinch, a bird that was believed to nest in thorny trees and, according to legend, removed a painful spine from Christ’s crown of thorns. At that moment, a drop of his blood fell onto the goldfinch, forever giving it red markings. The precise identity of this artist has not yet been discovered, and little is known about his training or career. He receives his name after an altarpiece in the church of San Lucchese in Poggibonsi, near Siena.
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Lippo Memmi (Italian) — Madonna and Child
Neri di Bicci (Italian, 1419–1491) — Virgin and Child
Sano di Pietro — Virgin and Child with Saints Jerome, Bernar
Caterino Veneziano (Italian, active 1362–82) — Madonna of Hu
Virgin and Child Enthroned
Icilio Federico Joni (Italian, 1866–1946) — Virgin and Child
Barna da Siena — Madonna and Child
Olivuccio di Ciccarello (Italian, Marche, 1360/65–1439) — Th
Sano di Pietro (Italian, 1406–1481) — Virgin and Child Adore
Lippi-Pesellino Imitator — Virgin and Child
Virgin and Child
Fra Angelico — Madonna of Humility