Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Though more in demand for his society portraits, Thomas Gainsborough expressed his passion for landscape subjects in hundreds of drawings executed throughout of his career. Early drawings made en plein air inspired later landscape sketches, such as this one, that combined directly observed natural elements with more idealized compositions found in the 17th-century French paintings admired by Gainsborough. Clusters of short, detached strokes convey the movement of the trees in the background while longer horizontal lines describe the placid surface of the water running through the scene.
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Anonymous, Dutch, 17th century|Anonymous, Dutch, 18th centur
Lodewijk de Vadder — Forest Landscape
Friedrich Preller (German, 1804–1878) — La Serpentara near O
Jan van Huysum — Landscape with Shepherds by River and Man o
Anthonie Waterloo (Dutch, 1609/10–1690) — Wooded Landscape
Anthonie Waterloo (Dutch, 1609/10–1690) — A Track on the Edg
Roelant Roghman — Plate. 6, from Six Views in the Wood of Th
Jan Hackaert (Dutch, 1629–c. 1700) — The Serpentine Road
Jan Hackaert (Dutch, 1629–c. 1700) — The Bent Tree
Carl Wilhelm Kolbe — Landscape; a small island with two tree
Anthonie Waterloo — The Entrance to the Forest by the Little
Jacob van Ruisdael — Wooded River Landscape with Three Peopl