La Serpentara near Olevano

1829

pen and brown ink over black chalk

SEE IT IN PERSON

Not currently on view

In the collection of Cleveland Museum of Art, Cleveland · as of August 2026

View at clevelandart.org ↗︎Plan a visit ↗︎

Discussion

FROM THE CLEVELAND MUSEUM OF ART’S CATALOG

Like many of his German contemporaries in the early 19th century, here Friedrich Preller relied on precise pen lines only without use of brushwork or wash.

Source ↗︎

Be the first to share your thoughts.

More by Friedrich Preller

Self-Portrait

Musicale at the Prellers'

More like this

Anthony van Dyck — A Group a Trees

Anthonie Waterloo (Dutch, 1609/10–1690) — Wooded Landscape

Mediterranean Landscape with a Villa in the Distance

Anonymous — Mediterranean Landscape with a Villa in the Dist

Anonymous, Dutch, 17th century|Anonymous, Dutch, 18th centur

Anonymous — Landscape

Raphael Lamar West — A Wooded and Rocky Landscape

Lodewijk de Vadder — Forest Landscape

Landscape with Figure Standing on a Bridge

Anonymous, Italian, Roman-Bolognese, 17th century — Landscap

Wooded Landscape with a River, Castle, and Town Beyond

Denijs van Alsloot — Wooded Landscape with a River, Castle,

Jan Both — Rocky Landscape

Gillis Neyts — Landscape with old trees and figures

Landscape; a small island with two trees surrounded by water on the left; a tree by a cottage on the right

Carl Wilhelm Kolbe — Landscape; a small island with two tree

Discussion

FROM THE CLEVELAND MUSEUM OF ART’S CATALOG

Like many of his German contemporaries in the early 19th century, here Friedrich Preller relied on precise pen lines only without use of brushwork or wash.

Source ↗︎

Be the first to share your thoughts.