● On view now — Gallery 207
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The youthful sitter in this portrait pauses in the midst of drawing a nude figure to shape his quill pen. On the shelf behind him are pots of paint, a shell probably used to mix pigment and binder, and a bottle of oil. It has often been assumed that this is a self-portrait, given the individualized features, like the mole on the man’s cheek, and the range of artmaking tools throughout the scene. Whether the artist depicted himself or a colleague, the presentation here leaves no doubt as to the profession of this sitter or the painter’s esteem for it.
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Jean Hey, (the Master of Moulins) — Fragment from Christ Car
German (Nuremberg) Painter — Portrait of a Man
Francesco Francia — Federico Gonzaga (1500–1540)
Hans Memling — Portrait of a Young Man
Adriaen Isenbrant — Man Weighing Gold
Raphael — Giuliano de' Medici (1479–1516), Duke of Nemours
Biagio d'Antonio — Portrait of a Young Man
Bernardino Detti — Portrait of a Young Man
Master of the Holy Blood (Netherlandish) — Saint Catherine
Bartolomeo Veneto (Italian, 1531) — Portrait of a Man
Lucas Cranach the Elder — Portrait of a Man with a Rosary
anonymous — Portrait of a man