● On view now — Gallery 207
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this triptych, Mary, crowned as the queen of heaven, is surrounded by female saints in an enclosed garden (called a hortus conclusus ) evoking paradise. Singled out on the right wing is Saint Ursula, thought to have been a British princess who set out on a pilgrimage to Rome, only to be martyred along with her throng of companions, depicted here at a miniature scale. Saint Agnes, another martyr of the early Christian era, is on the left wing. The gold framing arches refer to the combination of gilded sculpture and painting that was a common feature of German altarpieces in this period. The emphasis on youthful, female saints suggests that this was a devotional triptych for a community of nuns.
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Master of the Burg Weiler Altarpiece — The Burg Weiler Altar
Altar Shrine with Madonna and Child with Donor
Paolo Uccello (Paolo di Dono) — The Crucifixion
Gerard David — The Nativity with Donors and Saints Jerome an
Jean Bellegambe — The Le Cellier Altarpiece
Niccolò di Pietro — Saint Ursula and Her Maidens
Rogier van der Weyden — The Nativity
Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70
Workshop of Paolo di Giovanni Fei — Diptyc
Hans Memling — Virgin and Child with Saints Catherine of Ale
Gerard David — Virgin and Child with Four Angels
Joos van Cleve — The Crucifixion with Saints and a Donor