● On view now — Collection Gallery, Room 05, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
This intensely colored and rapidly executed painting depicts four courtesans in an ambiguous setting. The demimonde was a popular subject in 19th-century art and literature, as artists and writers found in the subject a ready means to express their ideas about modernity. This painting's unusual square format and size suggest that it was trimmed or cut from a larger canvas. Despite the small size, the figures' wild gesticulations infuse the composition with a rhythmic energy that is barely contained by the boundaries of the canvas.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne — The Bathers
Vincent van Gogh — The Brothel (Le Lupanar)
Georges Rouault — Two Ballet Girls
Henri Matisse — Two Women Reclining (Deux femmes étendues)
Pablo Picasso — Three Nudes (Trois nus)
Jules Pascin — Les Tunisiennes
Pierre-Auguste Renoir — Picnic (Le Déjeuner sur l'herbe)
Paul Cezanne — Bathers
Jules Pascin — Offering to Venus (Offrande à Vénus)
Jules Pascin — Cuban Hospitality
Jules Pascin — Two Women at a Circular Table