Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This remarkably frank image flouted the norms of acceptable subject matter. Here, Boilly depicted the prostitutes—and the men who solicited them—who gathered in the arcade of the Palais-Royal in Paris. Better known for his charming genre paintings, Boilly was denounced in 1793 by a French revolutionary tribunal for painting pictures “of revolting obscenity to republican morals.” He survived and even in 1804, under the Napoleonic government’s somewhat looser standards, he was pushing the boundaries of propriety.
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Jean-Michel the Younger Moreau (French, 1741–1814) — Masked
Augustin de Saint-Aubin|Antoine Jean Duclos — Le Bal Paré
Antoine-Jean Duclos — Bal Paré (The Jewel Ball)
James Sibbald|Thomas Rowlandson|Charles Grignion, I — The We
Jean-Michel the Younger Moreau (French, 1741–1814) — The Mas
Philibert Louis Debucourt — The Dressing Room of the Extras
Thomas Rowlandson|William Combe — Foreign Tour: Setting Fort
Augustin de Saint-Aubin|Antoine Jean Duclos — Le Bal Paré
Hubert François Bourguignon Gravelot (French, 1699–1773) — A
Gérard Scotin, II — The Pleasures of the Ball
Pierre Antoine Baudouin|Nicolas Ponce — La Toilette
Abraham Bosse|Jean I Leblond — The Ball