● On view now — Gallery 152
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Toward the end of the 5th century BCE, Athenian potters and painters created a large number of miniature oinochoai (sing. oinochoe), or pitchers, decorated with children at play or imitating adults. It is thought that they were given to the youngest members of the family during the Anthesteria, a three-day celebration of the new vintage of wine and the arrival of spring. These little vessels are called choes (sing. chous), which means libations, after the name of the second day of the festival. Children took part in the festival but did not imbibe wine. On this example, a half-grown youth grabs the branch of a leafless tree with his left hand and extends his free hand to welcome a younger boy pulling a small cart.
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Figure of a Youth from a Funerary Stele (Monument)
Fragment of a Funerary Naiskos (Monument in the Shape of a T
Tetradrachm (Coin) Portraying Alexander the Great
Octadrachm (Coin) Portraying Queen Arsinoe II
Statuette of a Female Figure
Fragment of a Grave Monument
Dish
Fragment of a Funerary Lekythos (Monument in the Shape of an
The Orchard Painter — Hydria (Water Jar)
Chicago Painter — Hydria (Water Jar)
Leningrad Painter — Hydria (Water Jar)
Michigan Painter — Amphora (Storage Jar)
Painter of Tarquinia RC 3984 — Belly-Amphora (Storage Jar)
Ancient Etruscan — Amphora (Storage Jar)
Iliupersis Painter — Hydria (Water Jar)
Ixion Painter — Amphora (Storage Jar)
Mattinata Painter — Oinochoe (Pitcher)
Wedgwood Manufactory — Vase
Ancient Egyptian — Pitcher
Perugia Painter — Calyx Krater (Mixing Bowl)