Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In 1590, a generation after Michelangelo’s death, the dome he designed for Saint Peter’s Basilica in Rome was finally completed. In 1597 Pope Clement VIII commissioned the mosaic decoration of the interior of the dome, choosing Cristoforo Roncalli in part because of his training in Florence, an origin he shared with Michelangelo. Roncalli made this preparatory drawing for the angels that would appear at each side of the four Evangelists in the trapezoidal spaces where the dome meets the supporting arches, called pendentives. Roncalli practiced rendering the foreshortened human form in three studies across the sheet, which are early stages of the design.
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Anonymous — Reclining Female Nude (recto); Various Sketches
Camillo Procaccini (Italian, 1546–1629) — The Transfiguratio
Romanino (Italian, 1484/87–1562) — Romulus and Remus Found b
Giovanni Battista Piazzetta (Italian, 1682–1754) — A Flying
Nicolas Poussin (French, 1594–1665) — Three Heads and Other
Frederico Zuccaro (Italian, 1540/1–1609) — Un Hebreo, from C
Guido Reni — Studies of Flying Putti (recto); Composition St
Chariot Drawn by Lions with Amorini (recto) Partial Architec
Nicolas Poussin (French, 1594–1665) — Extreme Unction (recto
Anonymous, Italian, 17th century — Sketch for a Wall Decorat
Anonymous, Italian, Roman-Bolognese, 17th century — Two Figu
Massimo Stanzione (Italian, 1585–1656) — The Seven Archangel